Nick Hornby
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Best of 2008

December 17th, 2008

Favourite songs of 2008:

Make The Road By Walking - Menahan Street Band
You Don’t Know Me - Ben Folds and Regina Spektor
Great Expectations - Gaslight Anthem
Chasing Pavements - Adele
Cleveland - Luke Doucet
Magic - University of Chicago Voices In Your Head
Hang On - Dr Dog
Did You Miss Me? - Lindsey Buckingham
Murder In The City - Avett Brothers
Run Run - Those Dancing Days

Favourite albums:
Little Joy
Vampire Weekend
The ‘59 Sound - The Gaslight Anthem
Thing Of The Past - Vetiver
49.00 - Paul Westerberg

My favourite books of the year were all non-fiction, and two of them have
not yet been published in the UK, although they’re on their way, I think:
David Carr’s ‘Night Of The Gun’ (if you only have the time or energy for one
addiction memoir, then this should be it) and Elizabeth McCracken’s
heartbreaking but thoughtful ‘An Exact Replica Of A Figment Of My
Imagination’. But Mark Harris’s ‘Scenes From A Revolution’, the best book
about movies I’ve read, is available somewhere near you now. The best novel
I read this year was Penelope Mortimer’s bleak and exquisite ‘The Pumpkin
Eater’, which was published in 1962.
 

An Education

December 15th, 2008

Thrillingly,  ‘An Education’, the film directed by Lone Scherfig from my screenplay, has been selected for the Sundance Festival. I don’t know where any of the readers of this blog live, but on the possibly erroneous presumption that you’re all residents of Utah, come along and see the world premiere in January.

Believer columns

December 11th, 2008

‘Shakespeare Wrote For Money’, the last collection of my columns about books that first appeared in the Believer magazine, is out now in the US. You can order it from the McSweeneys Store: http://store.mcsweeneys.net/

In the late sixties…

December 10th, 2008

…and early seventies, when I first started watching football, I was always reading about players who, as the sports-journalism cliché put it, had become “a target for the boo-boys”. These players were hapless individuals who, usually through a whole string of undistinguished performances for an underachieving team, would always attract the wrath of their own fans, no matter what they did – and what they did was usually inept, partly because their confidence had been shot to pieces. Jon Sammels, who played for Arsenal between 1963 and 1971, was, it was widely believed, driven out of the club by the “boo-boys”; later, the malcontents at Highbury aimed their displeasure at David Price, and Lee Chapman, and even, at the end of his time at Arsenal, Michael Thomas, the man who scored the most famous goal in Arsenal’s history. For long periods over the last forty years, in fact, we seemed to have had more targets for the boo-boys than we had idols. Emmanuel Eboue, who came on as a substitute in the game against Wigan last Saturday, but had to be substituted because the crowd were on his back to the extent that he could hardly stand up, is thus the latest in a long and ignoble line of Arsenal players stretching back to a time long before I was born.

 In the last few days, however, there have been several articles describing the treatment of Eboue as an entirely modern phenomenon, a result of increased ticket prices, a new breed of fan, etc etc. A man in the Daily Mail went so far as to claim that in the good old days, “supporters’ pride would not allow open displays of dissent. It was considered treachery, because it betrayed a weakness to rivals, and any player’s shortcomings would be swept away in a roar of encouragement.”  I am beginning to wonder whether the real problem with football is not a new breed of fan but a new breed of football journalist; some of the people who comment on the game now either have no memory of anything that happened before, say, 2002 (a real disadvantage in sports writing, which needs context), or they actually had no interest in the game before being given their current job.  In the Guardian earlier this year, the reliable Harry Pearson actually became quite nostalgic when writing about the “boo boys”.  “What a delightful phrase that is, conjuring up for the more elderly among us the smell of Oxo and Old Spice, the rattle of half-time number-boards and the sound of the Harry J All-Stars’ Liquidator being played over a PA system so feeble and tinny it may just as well have been a bloke with a Dansette and a megaphone.”  So there you have it. Booing your own player is either something that was invented yesterday by yuppies, or a practise that’s been going on since before Match of the Day was first broadcast in colour.

The reasons poor Eboue was so shoddily treated on Saturday are many and various. A lot of Arsenal fans wouldn’t like him much even if he scored twenty-five goals a season; he’s perceived to be something of an embarrassment, a rare example of a player who both feigns injury and causes injury to others. And the Emirates Stadium is not a happy place at the moment anyway – in fact, it has never been particularly cheerful. The move to the new stadium coincided with, maybe resulted in, the breakup of a great side, and we are now paying much more for much less.  The football this season has been a pallid and frustrating imitation of the stuff we were watching even twelve months ago – every year, it seems, experienced players leave, to be replaced by younger, currently lesser talent.

The real problem with English football is that there is no new breed of fan. The average age of spectators at a Premiership match is forty-three; when they boo, they remember Sammels and Chapman, if they’re at Arsenal; or Gareth Hall, at Chelsea;  or Torben Piechnik, at Liverpool; or countless other players with two left feet up and down the country and the decades. They will boo until their vocal chords have withered away.

Live Reading

December 2nd, 2008

Next Tuesday, Dec 9th, Monica Ali, Wendy Cope and I will be reading favourite pieces by others in aid of the Medical Foundation for the Victims of Torture, an amazing organization I’m a patron of. Come along if you can.

Date and time: Tuesday 9th December, 2008. Doors open 6:30 pm for a 7:00 pm start.

Venue: Medical Foundation, 111 Iseldon Road, London N7 7JW

The newspapers…

November 27th, 2008

…are trying to guess who might be given the job of Poet Laureate, but I am yet to read an article explaining why on earth any poet would want the job in the first place. A few weeks ago, Andrew Motion, the current Laureate, confessed that he’d felt blocked and unable to write for a while. But if, as many writers think, a block comes from a lack of confidence, then it’s no wonder he’s been unable to produce very much: one of the chief drawbacks of the job is that every poem written to mark royal occasions is roundly and gleefully mocked. Motion was obliged to write a poem celebrating Prince William’s twenty-first birthday (perhaps unwisely, he chose to do it as a rap), and the Queen’s diamond wedding anniversary; many of his peers were terribly unkind about the results. Ted Hughes, his predecessor, produced one commemorating the marriage of Prince Andrew and Fergie  (’A helicopter snatched you up/The pilot, it was me.’) and another one about the Queen’s corgis.  The next Laureate may well have to produce lines commemorating the marriage of Prince William to Kate Middleton, or even, God help him or her, the wedding of Prince Harry and Chelsy (sic) Davey. How could any ego, let alone one of the delicate literary variety, survive the kicking that such verses will inevitably receive? The list in the Times yesterday included some of my favourite contemporary poets - Wendy Cope, Carol-Ann Duffy, Simon Armitage -  and I fervently hope that they all turn the post down.

In Borders…

November 21st, 2008

…I watch with fascination as a local author rearranges the shop in order to optimise his chances of sales. He is not happy with the container that has been clipped to the section of the bookshelf displaying his book; the container holds flyers advertising a related product but it partially obscures the book’s cover, so while nobody is looking (apart from me) the author unclips it and sticks it somewhere else, where it will partially obscure the cover of somebody else’s work. He then spots someone picking up and leafing through a competing hardback, so he grabs his own and thrusts it into the bewildered shopper’s hands. I suppose this is what we have to do during a depression, but I’m not sure I have the stomach for it.

I read…

November 6th, 2008

…the two passages below on consecutive days. The first is a piece of dialogue from an embittered woman novelist called Elaine who appears in Meg Wolitzer’s razor-sharp novel about literary sexual politics, ‘The Wife’; the second is from a Norman Mailer letter to Don DeLillo in 1988.

 “But the men with their big canvases, their big books that try to include everything in them, their big suits, their big voices, are always rewarded more. They’re the important ones. And you want to know why?…..Because they say so.”

“I think you’re fulfilling the task we’ve just about all forgotten, which is that we’re here to change the American obsessions—those black holes in space—into mantras that we can live with.”

Good luck with that, Don and Norman.

When, in his…

November 5th, 2008

…victory speech, Barack Obama told the crowd that “It’s been a long time coming…..”, he was, of course, alluding to Sam Cooke’s “A Change Is Gonna Come”, and who doesn’t love an election where you need to know a little about old R&B to understand the references in the rhetoric? Now we have the benefit of hindsight, it seems as though the line “It’s been a long time coming…” has itself been a long time coming, given the number of times Barack has used the word “change” over the last few months.

 What would Cooke himself have thought, if he’d been told in 1963, when he recorded the song (it was only released after his death in 1964), that it would one day be quoted by an African-American president?  He wrote it soon after he and his band had been arrested after trying to check in to a whites-only hotel in Louisiana; it seems incredible today to think that this kind of moronic incivility happened routinely in Obama’s lifetime.
 It’s not surprising, then, that even the grammar of the song is weary and mournful. Usually the construction “It’s been a long time coming, but…” is followed by another clause containing a verb in the present or present perfect tenses: “but the bus is here”, “but the baby has been born”. After the “but” in Cooke’s song, however, he is forced to sing about the future. In other words, it’s been a long time coming, but nothing’s happened yet. November 5th, 2008 was the day that a black man was finally able to use the phrase in the way that a white man might.

 PS. England’s front page headlines today.

Mr President (The Independent)

Yanks Very Much (The Star)

Gobama (The Mirror)

One Giant Leap For Mankind (The Sun)

America’s Historic Verdict (The Guardian)

A New World Dawns (The Express)

Home Loans: A Slap in the Face (The Mail)

Yep, yesterday will be remembered for the home-loan face-slapping.

A Playlist

October 29th, 2008

  http://papercuts.blogs.nytimes.com/2008/10/29/living-with-music-a-playlist-by-nick-hornby/